Architectural Association
Media Studies
VIDEO

Video work by First Year and Intermediate students taking the complementary studies in Media Studies as part of the five year undergraduate architecture programme.
Plus some other stuff of interest.
Tutor: Joel Newman

http://www.aa-mediastudies.net/
http://www.aaschool.ac.uk/AALIFE/BEDFORDSQUARE/av.php
http://twitter.com/#!/AAaudiovisual
http://joelnewman.tumblr.com/
http://www.aa-mediastudies.net/MS-Core/MSC_Staff.aspx
http://aaaudiovisual.tumblr.com/

Vimeo


http://www.youtube.com/AASchoolArchitecture


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Sep 10, 2014
@ 4:42 pm
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(via blaaargh)


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Sep 9, 2014
@ 4:12 pm
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vimeo:

Vimeo’s design and messaging teams wanted to brighten up your L Train commute.


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Sep 9, 2014
@ 2:36 pm
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e-stocado:

Douglas Gordon

e-stocado:

Douglas Gordon

(via arcticdub)


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Sep 8, 2014
@ 5:06 pm
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(Source: progressprocessing, via fyprocessing)


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Sep 7, 2014
@ 11:29 pm
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ayalaparis:

AAtelier Workshop.
•
#AAVS Architectural Association School in Paris, France.
•
Join us now on @aatelierparis |
i n f o @ a a t e l i e r . o r g
•
#aatelier #aaschool #aavisitingschool #architecturalassociation #aavsparis #digital #editorial #fashion #art #architecture #edge #dna #odd #alteration #morphology #anatomy #design #jorgeayala #jorgeayalaparis #ayalaparis #teamayala #ay_astudio (at www.aatelier.org)

ayalaparis:

AAtelier Workshop.

#AAVS Architectural Association School in Paris, France.

Join us now on @aatelierparis |
i n f o @ a a t e l i e r . o r g

#aatelier #aaschool #aavisitingschool #architecturalassociation #aavsparis #digital #editorial #fashion #art #architecture #edge #dna #odd #alteration #morphology #anatomy #design #jorgeayala #jorgeayalaparis #ayalaparis #teamayala #ay_astudio (at www.aatelier.org)


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Sep 5, 2014
@ 10:52 am
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Sep 2, 2014
@ 9:04 am
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lottereinigerforever:

Federico Fellini on set

lottereinigerforever:

Federico Fellini on set

(via mudwerks)


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Aug 31, 2014
@ 12:35 am
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Let’s Talk About Movies:

Mise-en-scène - Proxemic Patterns

Film: Persona (19668)
Dir. Ingmar Bergman

Proxemic patterns is the relationships of organisms within a given space—can be influenced by external considerations. Proxemic patterns are perfectly obvious to anyone who has bothered to observe the way people obey certain spatial conventions in actual life. But in movies, these patterns are also related to the shots and their distance ranges. Although shots are not always defined by the literal space between the camera and the object photographed, in terms of psychological effect, shots tend to suggest physical distances.

Each proxemicpattern has an approximate camera equivalent. The intimate distances, for example, can be likened to the close and extreme close shot ranges. The personal distance is approximately a medium close range. The social distances correspond to the medium and full shot ranges. And the public distances are roughly within the long and extreme long shot ranges. Because our eyes identify with the camera’s lens, in effect we are placed within these ranges vis-à-vis the subject matter. When we are offered a close-up of a character, for example, in a sense we feel that we’re in an intimate relationship with that character. In some instances, this technique can bind us to the character, forcing us to care about her and to identify with her problems.

Throughout this scene, which contains no dialogue, Bergman uses space to communicate his ideas—the space within the frame and the space implied between the camera (us) and the subject. 

  1. The character is in a hospital room watching the news on television.
  2. Suddenly, she sees a horrifying scene of a Buddhist monk setting himself on fire to protest the war in Vietnam. She retreats to the corner of the room.
  3. Bergman then cuts to a closer shot, intensifying our emotional involvement.
  4. The full horror of her reaction is conveyed by the extreme close-up, forcing us into an intimate proximity with her.

(via iocomegiuda)


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Aug 30, 2014
@ 9:47 am
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(Source: welcome-to-the-crabitat, via raquelochmonek)


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Aug 29, 2014
@ 10:23 pm
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wired:


Using clever algorithm processing, the app makes it easy to use your phone to create tracking shots and fast, time-lapse videos that look as if they’re shot by Scorsese or Michael Mann. What was once only possible with a Steadicam or a $15,000 tracking rig is now possible on your iPhone, for free. 

[MORE: Hyperlapse, Instagram’s New App, Is Like a $15,000 Video Setup in Your Hand]

wired:

Using clever algorithm processing, the app makes it easy to use your phone to create tracking shots and fast, time-lapse videos that look as if they’re shot by Scorsese or Michael Mann. What was once only possible with a Steadicam or a $15,000 tracking rig is now possible on your iPhone, for free. 

[MORE: Hyperlapse, Instagram’s New App, Is Like a $15,000 Video Setup in Your Hand]


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Aug 29, 2014
@ 8:50 pm
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nevver:

Hypercube

nevver:

Hypercube


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Aug 29, 2014
@ 2:03 pm
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1 note

joelnewman:

Arduino and the Artist Filmmaker:A workshop in the analogue and digital interface
SATURDAY 11TH OCTOBER10.30am - 5pmno.w.here members receive 30% off: £77Non-members price: £110BOOK ONLINEor call +44 (0)207 729 4494no.w.hereFirst Floor316-318 Bethnal Green RoadLondon E2 OAG UK@nowherelondon

joelnewman:

Arduino and the Artist Filmmaker:
A workshop in the analogue and digital interface

SATURDAY 11TH OCTOBER
10.30am - 5pm


no.w.here members receive 30% off: £77
Non-members price: £110


BOOK ONLINE
or call +44 (0)207 729 4494

no.w.here
First Floor
316-318 Bethnal Green Road
London E2 OAG UK
@nowherelondon


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Aug 28, 2014
@ 12:04 pm
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House of Ruth Handler creator of Barbie in Santa Monica, L.A. California

House of Ruth Handler creator of Barbie in Santa Monica, L.A. California

(Source: else-orgustabo, via raquelochmonek)


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Aug 26, 2014
@ 2:48 pm
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Plié..Jeté..Jiàn shè! from GolshidVarastehKia on Vimeo.

joelnewman:

'Plié..Jeté..Jiàn shè!' is the final year diploma project of Golshid Varasteh Kia at Architectural Association, School Of Architecture.

. Plié..Jeté..Jiàn shè! - Choreology Of Making


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Aug 22, 2014
@ 9:38 am
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joelnewman:

Best European Camcorder of the Year 2014 - 2015
FDR-AX100E

4K Depth & Clarity. Four times the detail of Full HD.
Stunning Details. 20 megapixel 1.0 type Exmor™ CMOS sensor
o. New Bionz X™ processor

joelnewman:

Best European Camcorder of the Year 2014 - 2015

FDR-AX100E

  • 4K Depth & Clarity. Four times the detail of Full HD.
  • Stunning Details. 20 megapixel 1.0 type Exmor™ CMOS sensor
  • o. New Bionz X™ processor